Untitled, 2018

Body prints on latex

Presented as part of A cap like water, transparent, fluid, yet with definite body, these prints formed a holding area or resting space beside the moving image installation. The space also included latex cushion topped benches and copies of an essay about the project commissioned by Bridget Crone.

The prints speak of bodies made of many parts, multiple and entangled, of touch and alterity, contacting surfaces, skins shed, and fluids exchanged.

Drawing on an interest in the politics of desire and self-touch as an act of radical love, the prints are traces of a playful interaction between the artist’s body and the latex, pressing, rubbing, touching.